Atomos Sumo19 SE Monitor Recorder and Switcher
Sumo 19
The perfect on-set monitor-recorder and switcher. Sumo’s 19” screen allows you to really see what’s going on in your image.
Proven.Reliable.
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.
Rugged and versatile design suitable for every application
1200nit HDR
Touchscreen
ProRes RAW
Up to 6K
4x ISO+Program
Record
Live Switch
Program Out
Record up to 6Kp30 ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.
10-bit ProRes and DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.
High-bright & HDR monitoring
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.
Live Quad-channel HD Switching & Recording
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.
Two stereo balanced XLR inputs with 48V
The full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
The perfect on-set monitor-recorder and switcher. Sumo’s 19” screen allows you to really see what’s going on in your image.
Proven.Reliable.
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.
Rugged and versatile design suitable for every application
1200nit HDR
Touchscreen
ProRes RAW
Up to 6K
4x ISO+Program
Record
Live Switch
Program Out
Record up to 6Kp30 ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.
10-bit ProRes and DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.
High-bright & HDR monitoring
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.
Live Quad-channel HD Switching & Recording
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.
Two stereo balanced XLR inputs with 48V
The full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Dimensions (W x H x D mm)
- 310mm / 12.2" x 504 mm / 19.8" x 63mm / 2.5"
- 6.2kg / 13.7lb
- op: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8"
- 100 x 100
Ambient operating temperature
- Up to 40 Degrees Celsius
Cooling
- Actively controlled fan and Heat Sink
- Rear and front
- Power / lock Screen
- Yes
Input voltage
- DC 12-16.8v
- 75W
- V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended.
- 14.4V nominal
- Depends on Watt Hours specification of battery used
- Depends on Watt Hours specification of battery used
- Dual Battery input via dedicated 4 pin XLR
- 1 x 4 pin XLR (12-16.8V)
- Via optional D-Tap to 4 Pin XLR cable.
Touchscreen
- SuperAtom IPS panel (capacitive touch)
- 19"
- 1920 x 1080
- 120
- 10Bit (8+2 FRC)
- Optically bonded quantum dot
- 1200nit (+/- 10% @ center)
- 16:9 Image Display
- Yes
- DCI P3
- Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Gamma
- Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
- BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWide
- .Cube format
- Loop out
- Yes
- Native/ 709 / HLG / PQ / 3D LUT
- HDR to HLG / PQ
Calibration
- Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
- Backlight, Lift, Gamma, Gain
- Built in Technical Log to HDR EOTF
- Display, monitor and output, Record, Load via SSD
- Full to Legal conversion available on Input
HDMI
- 1 x HDMI (2.0) 4K p60
- No - HDMI Video only
- 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
- Apple ProRes RAW up to 6Kp30
- 8/10Bit Video / RAW up to 12Bit
- YCbCr 422
- Yes with Auto detection
SDI
- File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
Standard
- S/S/T & Rolling
- Red, Arri
HDMI
- 1 x HDMI (2.0) 4K p60
- 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
- 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
- 422
- 10Bit Video / 12Bit RAW
USB UVC
- Optional via ZATO Connect / USB Stick
HDMI to SDI
- Yes
- Yes - Video and RAW
Audio Quality
- 24-Bit / 48kHz
- PCM
- 8ch 24Bit, input dependent
- 12ch 24Bit, input dependent
- 2 x XLR
- 2 x XLR
- 2 x 5w
- 3.5mm 2ch.
Embedded
- SDI and HDMI
- Yes, Time and Date
- LTC via BNC input in Record mode
- Genlock in Playback mode
4k DCI
- up to 4Kp60
- up to 4Kp60
- up to 2Kp60
- up to 1080p120
- Pull down
- 1080i50 / 1080i60
- 60p
- up to 6Kp30 Via SDI
- up to 4Kp60 via SDI
- up to 2Kp240 via SDI
CDNG
- For SDI RAW inputs Only
- ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60
- Apple ProRes HQ / 422 / LT up to 4Kp60
- up to 1080p60
- up to 4Kp60
Playlist
- Yes, Create custom play lists from full or sub clips
- Yes, with user customizable in / out markers
- No
- Yes, recorded clips with linear PCM
- HQ / 422 / LT - Yes with linear PCM
- DNxHR / DNxHD - Yes with linear PCM
SDR
- Native, 709, LUT
- HLG, PQ Rec2020
- Selectable mode
Pre-roll record
- Yes (HD 8s, 4K 2s) - Not available in RAW
- 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
- Yes Up to 1080p 60
- Yes
SDI A/B toggle
- Yes, supports up to 12G SDI per input
- Via Multi ISO input mode
- Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
- Via Multi ISO input mode
- Auto or manual XML transition
- Yes
Master Caddy I
- No
- Yes (AtomX SSDmini handle required)
- Not supported
- ExFAT
- SATA 3
- Yes
Waveform
- 3 sizes
- 3 sizes
- 2 size / Position
- Yes. 1:1 Pixel mapping for 4K
- Yes
- Colour selected / threshold setting / colour/ Mono / edges only
- Yes, with IRE scale
- Yes, customisable
- Blue only
- 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
- 9:16, 1:1, 1.91:1, 4:5
- SMPTE frame size – Action and Safe
- 9 grid
- Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
- Vertical
- Yes, with IRE scale
4K UHD Downscale for HD
- Loop out - 4K UHD to FHD
- Loop out - 17:9 to 16:9 Crop
- 60i > 24p (3:2 pulldown)
- 24/25/30pSF > 24/25/30p (2:2 pulldown)
HDMI
- Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
- SDI trigger, camera selectable
- LANC control and calibration via optional USB to serial cable
FCP XML
- Cut tag EDL and Multicam with transitions in FCP XML
XML
- Apple Final Cut Pro
- Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
- All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
Standard
- 1 Year
- 3 Years
Cinema
- Yes
- Yes
- Yes
- Yes
- Yes
- Yes
- Yes
- Sumo unit
- 1x Master Caddy II
- 1x BattWing mounting bracket with 4x screws
- 2x Desktop Feet with 4x 1/4” Mounting screws
- AC power supply